American Painter and Sculptor, 1861-1909 American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).   Related Paintings of Frederic Remington :. | The Hungry Moon (mk43) | The Rock of the Signature | Moonlight, Wolf | Through the Smoke Sprang the Daring Soldier | Pretty Mother of the Night-White Otter is No longer a boy (mk43) |
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Daniel Chester French
American Neoclassical Sculptor, 1850-1931.was an American sculptor. His best-known work is the sculpture of a seated Abraham Lincoln at the Lincoln Memorial in Washington, D.C. French was born in Exeter, New Hampshire, to Henry Flagg French, a lawyer, Assistant US Treasury Secretary and author of a book that described the French drain. Daniel Chester French was a neighbor and friend of Ralph Waldo Emerson, and the Alcott family. His decision to pursue sculpting was influenced by Louisa May Alcott's sister May Alcott. After a year at the Massachusetts Institute of Technology, French worked on his father's farm. While visiting relatives in Brooklyn, New York City, he spent a month in the studio of John Quincy Adams Ward, then began to work on commissions, and at the age of twenty-three received from the town of Concord, Massachusetts, an order for his well-known statue The Minute Man, which was unveiled April 19, 1875 on the centenary of the Battle of Lexington and Concord. Previously French had gone to Florence, Italy, where he spent a year working with sculptor Thomas Ball. In 1917, he designed the Pulitzer Prize gold medal presented to laureates. In collaboration with Edward Clark Potter he modelled the George Washington statue, presented to France by the Daughters of the American Revolution; the General Grant in Fairmount Park, Philadelphia, and the General Joseph Hooker statue in Boston. In 1893, French was a founding member of the National Sculpture Society, and he became a member of the American Academy of Arts and Sciences. French also became a member of the National Academy of Design (1901), the American Academy of Arts and Letters, the National Sculpture Society, the Architectural League, and the Accademia di San Luca, of Rome. French was one of many sculptors who frequently employed Audrey Munson as a model.
Ludovico Cigoli
Italian Baroque Era Painter , 1559-1613 was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori. Later, influenced by the most prominent of the Contra-Maniera painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th century Florentine painting. For example, for the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbenknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. It is unclear if they are completely independent. Cigoli's painting seems to have been made with knowledge of Caravaggio's canvas; however, while Cigoli's work lacks the power of Caravaggio's naturalism, the background shade and sparse foreground shows how much he was moving away from crowded Florentine historical paintings. This work was afterwards taken by Bonaparte to the Louvre, and was restored to Florence in 1815. One of his early paintings was of Cain slaying Abel.
BUYTEWECH, Willem
Dutch Baroque Era Painter, ca.1591-1624 Dutch painter, draughtsman and etcher. Although he was born and died in Rotterdam, stylistically he belongs to the generation of young artists working in Haarlem at the beginning of the 17th century. He was nicknamed 'Geestige Willem' (Dut.: 'inventive, or witty, Willem') by his contemporaries, and during his short career he made an important and highly personal contribution to the new approach to realism in Dutch art. He was one of the first to paint interiors with merry companies